I can’t believe that I’ve been back from running the casting workshop in Portugal for over a week. This was where we did our casting (except on the evening when we had pizza). The pizza wood ash came in handy as parting powder for our sand moulds; the location was splendid and we had a great time (though I say it myself)
A selection of tools on the table tennis table.
A wire bound mould ready to pour.
We used natural finds including these bits of pine cone, cast in both cuttlefish and oilsand.
and these lobster claws worked well in oilsand casting.
I hope to run this workshop again next year, so do let me know if you are interested.
I poured these shells and wee fish yesterday. For the sand moulds I used the Borders sand and clay mixture, I made themoulds up last week so that they were good and dry when I poured in the molten metal.
This pic shows my pewter crucible with some of the scrap cut from the castings – the runners and risers for the metal to flow in and the air to escape out. These pieces will be available at ENOS and the technique is one that I’ll be teaching in November in Portugal.
I ran a casting workshop on Sunday. In the morning we used cuttlefish and in the afternoon we did oil sand casting. We achieved some good outcomes as well as learning from our mistakes. Rachel is going to send me some pictures, meantime here’s one I did earlier.
It whet my appetite for the week long workshop at Aqua Ventura in November (13th-19th) where we’ll combine these techniques with local forays to find materials and inspiration. There should be sun, Violetta’s great cooking, walking, countryside and seaside, the quinta, new people and enough time to make at least one piece of silver jewellery. Why not check your diaries and see if you can join us?