I went back to Assynt for a week in May; and the weather was kind, so lots of work was done.
With the invaluable help of Nigel Goldie, we got the Community Bronzes installed in the bedrock around the Clachtoll broch. A lot of lugging in and out of generators, drills, glue and the bronzes themselves was involved. I had agreed which rocks were outside the historic area, but on land where we had permission, and Nigel did the drilling and glueing.
I’m hoping that they will weather and patinate over the years, I started the patination process with sea water and beeswax resist. They are mainly on the Stoer approach, but there are a few on the Clachtoll side. So if you are on the site do try and find all forty four of them.
The main group of thirty-five include all the ones designed and carved in beeswax by the Clachtoll school pupils at a workshop in the Glen Canisp art studio. They also did pewter casting in sand, the same process as Iron Age casters would have used, and which I used for these bronzes (although in updated materials). Please refer to earlier posts for more on the bronzes.
Thirty five is the estimated size of the extended family group who lived in the broch at any one time. The design choices reflect the range of ages and interests of the people involved, a local community working together.
Can you find the bone comb? Maybe a plan of the broch? A panda or a Pod?
It’s a great collection of designs and styles and I hope it’ll give visitors to the broch pleasure, stimulate ideas and trigger narratives; celebrating the local community and the people who have been involved in the broch project.
Perhaps some people will think of the metalwork and how the broch residents will have traded for cast bronze products, even if they didn’t smelt and cast bronze themselves.