Stone to Bowl

bloweri

Finally the hand cranked forge blower has arrived. This is hopefully the last piece of the Stone to Bowl project. The forge blower will deliver air to the furnace, powered by hand rather than electricity. I’ll find out next month at SSW if it can be made to work. If the bellows can be hand powered it means that I can work anywhere,

day7smeltblower

This is the model we hope to replicate.

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Stone to Bowl

Some of the copper that I smelted at the Sculpture workshop was not very pure. By hammering it I was able to get rid of much of the impurities ready to alloy with silver and melt for casting. I think that this was the first time that I used this blacksmiths hammer and my rather rusty anvil/

Stone to Bowl

1smelt

The New Year bonfire was the first trial smelt of the year. I didn’t expect much from it and it wasn’t a great success, because the bonfire dropped through into the rock pool beneath it. It seemed a good way to celebrate the New Year though.

The photo is the wet remains when the bonfire had burnt out, a gift to the sea.

 

Cambo stables exhibition

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Still time to drop into the new visitor heritage centre at Cambo and see some artworks. Some local artists, including Keny Drew, Judith Heald and Linda Jackson, have a horse stall each to display their work. This is mine.

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It’s a lovely display area and there are interesting displays about the history of the estate and the stables.

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Most days you will find the cafe and shop open as well.

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also your eyes may focus better than my photos…

They reopen 4th January 2018.

Workshop in Munich

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I did a wonderful workshop at Peter Bauhuis’s workshop. A different casting technique (lost wax), an opportunity to work with different alloys and forms and a generous and expert teacher. This finger ring is in 800 silver and emerges from casting with this great surface patina and texture.

mixeedbowls copy

These little bowls are shibuishi, copper and argentium; in a style influenced by Peter’s work. This is the first time that I have cast argentium. I also now know the secret of successful copper casting.

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This photo is of Peter sprueing up some wax pieces, below is his bench peg.

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This copper ring, made from a twist of wax wire dipped, came out of the casting process with this lovely patina and texture. It already has a new owner.

 

 

Alchimia, into week 2

I continued with the resin and the foam. I had some disasters (too much hardener):-

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and too little hardener (parts are sort of bendy):-

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and some more door designs

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The foam is melted away with acetone, leaving interesting ‘insides’ – the courtyards and corridors that are behind the street doors:-

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Some texture work to capture the aged walls and surfaces:

resinpatinaenos resincreamenos

and creating metal frames/courtyards, with resin hollow forms inside:-

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This last is a resin ‘pool’ from foam, with a metal piece in it sanded back.

Emerging artist in residence SSW Week 3

I had a successful firing of my new furnace and made this beautifully coloured tumbler. I think the colour is partly from the sand-mix from Auchindour which has iron in it.redtumblerviii_enos

furnacesetup_enos The furnace set up

furnacesswpostpour_enosAfter the pour

sandmouldsswenos opening the sand box

I also cut back a large bowl that hadn’t cast fully and achieved a perfectly acceptable bowl, which I textured and patinated.

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patinationssw_enospatinating with ferric nitrate

mediumbowlcloseup_enosclose up

I textured and patinated my sound stone from ‘Mary of Guise’ beach:

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Also a Cellardyke sand tumbler got finished (texture and patina). May still work on the sparkle factor:-

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I used the Auchindour sand to cast a wee silver piece to sit in the copper ‘goblet’ made in Week 2:

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And this pour also gave a lovely piece of ‘waste’ for my collection of pieces to be developed into wearables.

silvercastingssw_enos the wee bowl and casting waste

I did a lot of editing of the to-do list, but all in all a very productive three weeks.

Thanks to Eden and everyone at SSW