Stone to Bowl clay dip moulds; incl wax melt out and all-in casting

Returning to Stone to Bowl:-

stonetobowlmouldfiringOnce the wax models have been made and sprued they are then dipped in a slurry mix of clay (this time from Kingsbarns) sand (Cellardyke beach) and fibre (horse poo from near Kilrenny). There are two mixes, one is fine and the early coats are done in this and the other is coarser to build up the outer layers. Each layer has to dry before the next layer is added so it takes several days to build up the mould.

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When the mould is built up a clay funnel is added. The moulds are then ready for the wax to be burnt out. The first photo shows the burn out. Below are the moulds that have been burnt out.

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The link below is to an animated film about lost wax casting, which explains the process well.

https://hyperallergic.com/286780/an-animated-guide-to-the-bronze-age-technique-of-lost-wax-casting/

I also tried out a casting method where you burn out the wax and then put the copper alloy in one end of the mould. You then seal up the mould with a lid and clay mixture and return the mould to the furnace. stonetobowlmoulds

This photo shows the moulds and lids ready for burn out.

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This photo shows the all in one moulds ready to return to the furnace for the copper melting stage.

In theory the copper heats to melting point and you upend the mould and the copper pours into the part that you want to cast, In practice because you can’t see the metal it is difficult not to either get incomplete melting or over heating and the metal seeping out through the ceramic shell.

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The photo shows incomplete melting, the copper is fused (bottom right)

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This photo shows a mould where the metal over heated and seeped through the mould walls. There are two moulds, one complete (but rattles so I’ve not broken it) and an open one.

The moulds with incomplete melting can be ‘re-used’ as open moulds.

 

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Stone to Bowl model making

waxfingersprued I make my models using beeswax from a beekeeper who lives near St Andrews. She and her bees make lovely wax that smells delicious and is just right for making models.

I  started small but wanted to make fine models to challenge the techniques. I made finger tip rings by dipping my fingers in the melted wax. stonetobowlJuliaCowieThese then need to have pouring stalks added (sprues). They are then ready to be dipped in the clay mix to build up the mould.

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After successfully casting finger tip rings I moved on to small bowls which were made by dipping clay bowls in wax and adding pouring stalks.

 

Workshop in Munich

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I did a wonderful workshop at Peter Bauhuis’s workshop. A different casting technique (lost wax), an opportunity to work with different alloys and forms and a generous and expert teacher. This finger ring is in 800 silver and emerges from casting with this great surface patina and texture.

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These little bowls are shibuishi, copper and argentium; in a style influenced by Peter’s work. This is the first time that I have cast argentium. I also now know the secret of successful copper casting.

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This photo is of Peter sprueing up some wax pieces, below is his bench peg.

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This copper ring, made from a twist of wax wire dipped, came out of the casting process with this lovely patina and texture. It already has a new owner.

 

 

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We also tried wax modeling for lost wax casting.

The was was warmed then extruded through a large ‘garlic press’.

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The wax string was then wound round clay formed models.

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We made elephants.

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Again the designs were made to order for craft outlets.

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The wax thread models were then coated in another layer of clay and were then ready for casting.

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