Clachtoll Art Project – Bronze community sculpture

The other piece that I’ve been working on is a community sculpture.

Eighteen children from Lochinver primary have prepared designs and tried their hand at wax carving using local beeswax.

waxtreeschooli

Most of the children also did sand piece-moulds to cast metals beads which we then made up into nettle-stringed necklaces. Thank-you to the people who supported me with this workshop.

waxtreeschool

I then cleaned up the waxes so that they would cast well; and using the same method as the children (2 part sand moulds), I cast the first sixteen mini sculptures in bronze. I have been cleaning these – cutting of the running system, filing them back, sanding and polishing them.

waxschoollk

The Ullapool High school children who came to the broch helped run a copper smelt. The copper from that smelt was added to the bronze used for these mini sculptures. The high school pupils also cast pewter pieces using clay models that they had designed themselves.

The community sculpture has been growing with local people making mini sculptures.

groupmouldiiAt a public event on Stoer field we smelted some more copper, which will be used in casting these waxes in bronze (thanks, Nigel, Fiona and Boyd)

Many of the dig volunteers and other people involved with the broch have added their designs, so I have a further 24 waxes cleaned and prepared for casting.

publicsmelt

The discussion on where they may be installed continues, but I hope they can be affixed to bedrock in a safe place near the broch.

The final public event at Glen Canisp on 16th November 2018 will be to cast the final waxes for the sculpture (including copper from the public smelt). We also have a special request to demonstrate the alloying of copper with tin to give bronze. I hope to have more details of the event planning soon.

 

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Clachtoll Broch – rock and fallen rock

lintelsfallenMy first impressions of the broch were of the majesty of the stonework and the rock bed that it is built on; and of the disorder of stones that had been part of the broch which fire, sea and time had scattered.

berrock

The bedrock falls to the sea and some of the stones from the broch have fallen this way. The archaeologists say that the broch collapsed in on itself , because the slope of the bedrock made the construction unstable. The recent work on the broch has included structural support and repair to the lintels to re-stabilise the building without embellishment. The work also included moving tonnes of fallen rock from within the building. This was all done by hand as there is no vehicular access to the site.

The stone double wall of the broch that once towered above the surrounding landscape has been in ruins since the time of Christ.

brochentrance

This mini re-cap gives some of the reasoning behind my decision to create an iron piece that is cast from one of the lintels at the site. It is still not certain that I will be able to do this this season as the weather seems to have turned autumnal, but that is the plan. I’ll keep you posted.

brokenlinteli

Stone to Bowl grand finale

Last week was my final week of work at Scottish Sculpture Workshop on my VACMA funded Stone to Bowl copper project.

It focused on getting the bellows organised so that I can work anywhere in the landscape. Monday was spent fixing the blower which had arrived fractured. Eden Jolly did most of the work as it involved tig welding, but I did the cleaning of the joins and offered cups of tea. Eden and Fleur (an Erasmus student) made it a super wee base and I went to Portsoy to get it some flexible tubing. fanblowerSept18By Wednesday all was ready to return to copper smelting trials. The smelt balls tend to over heat in the shaft furnace as it’s hard to see what is going on.

smeltfurnaceSept18

So on Thursday I dug a pit furnace and trialed that smelting with great success.I got 35gm copper from 50gm ore in 30 minutes and using about 2kg of charcoal.

smeltballSept185i

On Friday it was time to trial the bowls mentioned in the project title. This was using ore I’d smelted alloyed with 10% silver. The photo shows the open mould after casting. The copper did not complete the pour. I need to redesign the bowls with a thicker base. Even after heating the moulds and with sling casting, the copper would not stay molten in such a thin walled vessel.

slingSept18i

Spending 4 weeks developing processes and tools has been brilliant and the work goes on.

Packing list NEOS 2

coppersplash

I’m trying out this copper/silver alloy bowl on a patinated mokume gane disc. I’ve tried other stands, but the bowl ‘stands’ well on its own, so I’m going for something simple that highlights the blue patina.

charmsneos

There will be some of my charm jewellery going to Art in the Buchat, Glenbuchat as well. I gave it a little polish and its tucked up in its boxes now waiting to charm visitors from Friday, 7th September.

 

NEOS packing list 1

dambowlburr

Just taking some quick pictures before packing my pieces for North East Open Studios (NEOS) which previews next Friday. The work will be displayed at Art in the Buchat. Glenbuchat. Do pop along if you are in the area.

dambowlburri

This is a damascus steel bowl on a burr wood stand, it’s so tactile.

Stone to Bowl

bloweri

Finally the hand cranked forge blower has arrived. This is hopefully the last piece of the Stone to Bowl project. The forge blower will deliver air to the furnace, powered by hand rather than electricity. I’ll find out next month at SSW if it can be made to work. If the bellows can be hand powered it means that I can work anywhere,

day7smeltblower

This is the model we hope to replicate.