2019’s open studios has been and gone. The weather was lovely and lots of people visited; and several people bought pieces or commissioned new work.
Commissions included a charm bracelet as a gift for a niece in Canada, which included a dolphin from the Firth of Forth; and a neck piece using an piece of carved peat that was a brooch from my childhood. I’ll show progress on this piece in a later post.
A sea water patinated bowl went to a new home as did a sea drift necklace.
It’s always good to show people my work and studio and I particularly like new commissions.
This silver frame-ring, Sea-drift necklace has a blue, lapis lazuli drop, a solid silver heart and a witch stone. The belcher chain and the ring and bar fastening are also silver. The reverse of the frame ring is textured using a beach stone and the necklace can be worn either way.
This penultimate necklace in the sea-drift ring series (for now at least) has a brass, domed, corroded washer from the beach in Cellardyke, a hollow silver bead and silver charm. It has a silver belcher chain, silver frame-ring which is textured using a stone from the beach and my ring and bar fastening.
This silver necklace has a lapis drop, the Forth dolphin and a silver heart all handing from a silver-frame ring. The chain is a silver belcher chain and the clasp is my own bar and ring fastening so it is easy to wear.
The sea didn’t bring me the witch stone direct, it’s from a beach in New Zealand; the glass bead is from Czech Republic and the dolphin charm is obviously a Firth of Forth dolphin. Just putting together some individual pieces for ENOS 2019 which are sort-of sustainable as I’m not buying new stuff.
Pittenweem Arts Festival is on again, do head down to Water Wynd, Venue 70 to see us. (That’s Keny Drew, Nicola Wiltshire, Frazer Reid and I) The net loft looks really good this year with better lighting and the introduction of white fabric to lift the space.
I have a selection of copper, iron and bronze bowls as well as some jewellery.
Some of the copper that I smelted at the Sculpture workshop was not very pure. By hammering it I was able to get rid of much of the impurities ready to alloy with silver and melt for casting. I think that this was the first time that I used this blacksmiths hammer and my rather rusty anvil/
The New Year bonfire was the first trial smelt of the year. I didn’t expect much from it and it wasn’t a great success, because the bonfire dropped through into the rock pool beneath it. It seemed a good way to celebrate the New Year though.
The photo is the wet remains when the bonfire had burnt out, a gift to the sea.