2019’s open studios has been and gone. The weather was lovely and lots of people visited; and several people bought pieces or commissioned new work.
Commissions included a charm bracelet as a gift for a niece in Canada, which included a dolphin from the Firth of Forth; and a neck piece using an piece of carved peat that was a brooch from my childhood. I’ll show progress on this piece in a later post.
A sea water patinated bowl went to a new home as did a sea drift necklace.
It’s always good to show people my work and studio and I particularly like new commissions.
This silver frame-ring, Sea-drift necklace has a blue, lapis lazuli drop, a solid silver heart and a witch stone. The belcher chain and the ring and bar fastening are also silver. The reverse of the frame ring is textured using a beach stone and the necklace can be worn either way.
This penultimate necklace in the sea-drift ring series (for now at least) has a brass, domed, corroded washer from the beach in Cellardyke, a hollow silver bead and silver charm. It has a silver belcher chain, silver frame-ring which is textured using a stone from the beach and my ring and bar fastening.
This silver necklace has a lapis drop, the Forth dolphin and a silver heart all handing from a silver-frame ring. The chain is a silver belcher chain and the clasp is my own bar and ring fastening so it is easy to wear.
The sea didn’t bring me the witch stone direct, it’s from a beach in New Zealand; the glass bead is from Czech Republic and the dolphin charm is obviously a Firth of Forth dolphin. Just putting together some individual pieces for ENOS 2019 which are sort-of sustainable as I’m not buying new stuff.
This year I’m making jewellery for Open Studios and Pittenweem Arts Festival using what I think I’ll call ‘sea-drift’. The seaweed on which the design is based was storm-cast on the beach. These ‘mermaid’ necklaces are saw pierced silver, hammered and formed. Two have moonstone drops and are oxidised, I have sent these to VAS ALIGHT 2019 in Edinburgh.