Work in progress

I’ve started test pieces for the glass poppy petals that I want for a commissioned piece commemorating Dunkirk.

Keny Drew at East Neuk Glass let me try out some different moulds, colours of glass and different glass thicknesses.

IMG_2899

I now need to try thinner glass and make my own irregular moulds because these are too chunky and symmetrical; but the process has started and thinner glass will be easier to cut.

Thanks Keny

 

Advertisements

sea drift necklace v

sea driftv

julia cowie

This silver frame-ring, Sea-drift necklace has a blue, lapis lazuli drop, a solid silver heart and a witch stone. The belcher chain and the ring and bar fastening are also silver. The reverse of the frame ring is textured using a beach stone and the necklace can be worn  either way.

sea drift iv

sea driftiv

julia cowie

This penultimate necklace in the sea-drift ring series (for now at least) has a brass, domed, corroded washer from the beach in Cellardyke, a hollow silver bead and silver charm. It has a silver belcher chain, silver frame-ring which is textured using a stone from the beach and my ring and bar fastening.

Sea drift necklace II

seabreezeii

The sea didn’t bring me the witch stone direct, it’s from a beach in New Zealand; the glass bead is from Czech Republic and the dolphin charm is obviously a Firth of Forth dolphin. Just putting together some individual pieces for ENOS 2019 which are sort-of sustainable as I’m not buying new stuff.

Seaweed necklaces

seaweed3

This year I’m making jewellery for Open Studios and Pittenweem Arts Festival using what I think I’ll call ‘sea-drift’. The seaweed on which the design is based was storm-cast on the beach.¬† These ‘mermaid’ necklaces are saw pierced silver, hammered and formed. Two have moonstone drops and are oxidised, I have sent these to VAS ALIGHT 2019 in Edinburgh.

seaweed1i